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balenciaga arena low
06-30-2020, 01:35 PM
Post: #1
balenciaga arena low
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He worked on volumes first and foremost, and not decoration, said Gvasalia, who in an early collection for Balenciaga transposed the flaring back of the semi-fit jacket into a black sweatshirt. "What I found at Balenciaga was kind of a gift for me. I found Cristóbal Balenciaga's approach to volume was so perfectly suitable for me with my personal taste for volume. " In reporting full-year results earlier this month, the French group trumpeted a "stellar" performance from Balenciaga and Alexander McQueen, which are lumped in with "other houses. " (It only details sales and profits results for the Gucci, Saint Laurent and Bottega Veneta brands. Other houses also include Boucheron, Brioni, Pomellato, Ulysse Nardin and Girard-Perregaux. )

Over half a century later, the said stockings and vinyl raincoats were key emblems in Gvasalia's debut for the fashion house, transfigured into perpendicularly shouldered coats and jolting neon Spandex stocking-boots (notably in the pink and blue violets that sent Vreeland into hyperbolic overdrive). Gvasalia's appropriation of streetwear, and even the inexpensive offerings of everyday items found in urban bric-a-brac stores, is often associated with the more recent street-up practice synonymous with Martin Margiela. The origin of the approach, however, can be traced much further back. "If you consider the way that Margiela thought about clothing and the way that Balenciaga thought about clothing, there's a compatibility of the degree of philosophical contemplation that went into what they did, " says Tim Blanks, editor-at-large at BoF. "The thing with Cristóbal Balenciaga is he's an endless resource for designers, but he's an extremely demanding one.

The look became known as the "barrel line, " the forward-looking, unsung hero of the decade compared to Dior's heraldic rose-tinted nostalgia for Belle Époque curves, which some balenciaga arena low critics argued set the women's liberation movement back by a decade. Until then, Balenciaga's clothes might have stood out for their architectural elegance, their black-trimmed graphic boldness and their dramatic Spanish influence, but in their overall silhouette they conformed to the fashions of the day. From 1947, Balenciaga began to revolutionise the silhouette and experiment with proportion and volume that would lead to two decades of his most experimental and modern work. The sculptural sensibility informed generations of the most celebrated designers  there is not a single dressmaker [Image: balenciaga arena low-372hip.jpg] who has been so influential to so many generations.
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